Tuesday, May 8, 2007

8 Mile (Movie Review)

Undoubtedly, the surprise film of 2002 was 8 Mile, the story about a young white rapper in Detroit who struggles with his broken family, gold-digging friends, and simply to find his identity in the nefarious world in which he lives. Starring the best-selling rap artist Eminem, 8 Mile is supposedly autobiographical in nature, portraying the true life rise of Marshall Mathers from the hardened streets of Detroit to the gold paved highways of superstardom. But the film begins and ends in the ghetto, cataloguing the time prior to the rapper's success. As a movie, it performs its duties well - virtually transporting the viewer to the crime and poverty riddled neighborhoods of one of America's most dangerous cities…

Local youth Jimmy "B-Rabbit" Smith, Jr. harbors dreams of hitting the big-time as a rapper (along with most of his peers in Detroit), but few are supportive of his efforts, especially his mother Stephanie (Kim Basinger), a self-centered woman who neglects her five-year-old daughter, remains unemployed, and generally wastes her life away. Her verbal battles with Jimmy are the only substantive part of their relationship.

When Jimmy gets a job working on an assembly line at a sheet metal factory, he works long hours in the dead end job making just enough money to get by. Living in a trailer with his mother so that he can save up enough money for a demo tape leads to everyday confrontations with the woman. Things begin to look up, though, when Jimmy meets Alex (Brittany Murphy), an aspiring model who shares his dreams of leaving the ghetto and pursuing a better life. But everything goes awry when Jimmy chokes at a local late-night rap showdown.

The bad news continues when Jimmy catches Alex cheating on him, his mother kicks him out, and a gang of thugs gives him a beating - placing a gun to his head and threatening to pull the trigger.

When the opportunity arises to perform once more in the local rap showdown, all of Jimmy's dreams hinge on his ability to pull out all the stops. Can he verbally destroy his opponent and gain the notoriety necessary to put him on the map…?

A surprisingly well-written screenplay wrought with symbolism, 8 Mile vividly portrays the life of an angry urban youth who aches to express his hatred for the world around him. As the dividing line between the city Detroit and the outside world, 8 Mile represents was is and what can be. The film's ability to draw the audience into a world of which they may not be a part makes this a definite must-see film. For those conservative or older viewers who may be reluctant to the see the film because of its leading star Eminem, I highly recommend giving 8 Mile a chance. If you enjoy drama and peering into unique worlds, then you might be pleasantly surprised with this one…

Movie Review - The Grass Is Greener (1960)

By Ugur Akinci

As aristocratic a romantic comedy as it gets in which Cary Grant, raised dirt poor as “Archie Leach” in Bristol, England, plays Earl Victor Rhyall, a British nobleman living in a salmon pink castle with his wife Lady Hilary Rhyall (played by Deborah Kerr). The palpable Grant-Kerr chemistry that made AN AFFAIR TO REMEMBER (1957) such a success is here at play too and probably the chief factor that somewhat salvages this otherwise forgettable flick.

The Rhyalls are a part of the British nobility but their finances could be better. In order to make ends meet, Hilary is raising mushrooms to sell and they allow bus loads of tourists to visit their castle for a fee.

The unbelievable Plot Point 1 comes early in the film when Robert Mitchum (playing the brash American oil millionaire Charles Delacro), pretending he is a tourist who lost his way around the castle, walks into the private residence of the Rhyalls to express his adoration for Hilary. And surprisingly enough, Hilary returns his advances on the spot and within fifteen minutes of their first “hello” they are kissing in front of the Rhyall fireplace. Seconds later Victor walks into the room, thinking Charles is a photographer sent by a magazine. But soon he is up to speed with this unwanted intrusion to their privacy.

Hilary-Charles romance charges full speed ahead when Hilary travels to London on the pretense of a hairdresser appointment. That's when Victor's old flame Hattie Durant (played by Jean Simmons) steps in trying to win Victor back. The tangled up cat's cradle of commitments, lies and betrayal among the fabulous four reaches its crescendo when Victor, instead of divorcing Hilary, decides to stand by his woman and invites Charles to an old fashioned duel.

Victor gets wounded in the gun duel but later on it turns out he had instructed his butler Sellers to shoot him in the arm for some dramatic effect. Yet having proved the desperate extend to which he is ready to go to defend her wife, Victory wins back Hilary's heart.

A harmless little rom-com with great acting by all four prominent stars and a story line that is not easy to believe in. Like many films which were adapted straight from successful stage plays in the 40s and the 50s, THE GRASS IS GREENER is also a very busy “talking heads” picture. Put it on mute and you'll miss 99% of it.

A 6 out of 10, and another point for the great salmon pink castle.

------------------------------------------------------

Ugur Akinci, Ph.D. is a Creative Copywriter, Editor, an experienced and award-winning Senior Technical Communicator specializing in fundraising packages, direct sales copy, web content, press releases, movie reviews and hi-tech documentation. He has worked as a Technical Writer for Fortune 100 corporations since 1999. He is the editor of PRIVATE TUTOR FOR SAT MATH SUCCESS web site http://www.privatetutor.us

In addition to being an Ezine Articles Expert Author, he is also a Senior Member of the Society for Technical Communication (STC), and a Member of American Writers and Artists Institute (AWAI).

A true movie fan since he was a child, Akinci provides FREE MOVIE PLOT IDEAS every day of the year at SCRIPT BOILER. Visit http://scriptboiler.blogspot.com today.

You are most welcomed to visit his COPYWRITING WEB SITE http://www.writer111.com for more information on his multidisciplinary background, writing career, and client testimonials.

Movie Review - Platoon (1986)

By Ugur Akinci

PLATOON (1986), nominated for 8 and garnered 4 Oscars in 1987 (Best Director for Oliver Stone, Best Picture for Arnold Kopelson, Best Sound, and Best Editing for Claire Simpson) is a Vietnam War movie about the “evils of war,” a staple approach to any such movie. However, it is also a courageous and in-your-face look at the chaotic nature of warfare and the taboo of “friendly fire.”

Looked at from the vantage point of the year 2006, and having seen many other Vietnam movies like Apocalypse Now or Full Metal Jacket since 1986, I now realize that this is still one of the tamer and straight-forward examples of the genre. This still stands comfortably on its legs as an ensemble piece with its moments and works well as an indictment of a massive letdown in which the grunts trying to do their assigned duties in the death-infested swamps of Vietnam were perhaps the last ones to blame.

The film, shot in the forbidding jungles of Philippines, boasts a high-powered cast including Tom Berenger (as SSgt. Bob Barnes), Willem Dafoe (Sgt. Elias Grodin), an 18 year old Charlie Sheen (Pvt. Chris Taylor), Johnny Depp (Pvt. Gator Lerner), Forest Whitaker (Big Harold), Francisco Quinn (son of the great Anthony Quinn, as Rhah), to name a few.

Writing by Oliver Stone (who won the screenwriting Oscar in 1978 for his Midnight Express as well as another Best Director Oscar in 1989 for Born on the Fourth of July) is well paced, preserving a good rhythm between scenes of carnage and reflection. The dialogs are crisp and realistic.

The voiceover provided by the main character Chris Taylor is without an equal because it addresses Taylor’s grandmother. I thought that was such a poignant touch for a young private lost in the world, who does not even have a girlfriend yet, to take refuge in the wisdom of his grandmother while all hell is breaking loose around him.

The plot, unfolding from the view-point of Pvt. Taylor, actually does not have too much meat in it. This movie shines on character and setting, on predicament and context, rather than on clever plot twists and turns. It can be summarized as one long story of a platoon either engaging the Viet Cong in the slug and snake infected jungle swamps, often under tropic rain, or getting stoned out of their minds to suspend the harrowing reality for an hour or two.

When the two top dogs of the platoon, the over-the-edge nihilistic Ssgt. Barnes and Sgt. Elias who can still rely on his conscience and basic moral values, clash heads, they divide the platoon into two bickering factions. The result of such infighting and accumulating resentment is not pretty.

The metaphysical horror of war has been exposed with more dramatic authority by one-of-a-kind movies like Apocalypse Now. Platoon does not go that deep but it is still a bona fide Vietnam War movie that should be on every movie fan’s must-see list.

An 8 out of 10.

----------------------------------------

Ugur Akinci, Ph.D. is a Creative Copywriter, Editor, an experienced and award-winning Technical Communicator specializing in fundraising packages, direct sales copy, web content, press releases and hi-tech documentation.

He has worked as a Technical Writer for Fortune 100 companies for the last 7 years.

You can reach him at writer111@gmail.com for a FREE consultation on all your copywriting needs.

Please visit his official web site http://www.writer111.com for customer testimonials and more information on his multidisciplinary background and career.

The last book he has edited: http://www.lulu.com/content/263630

News Room